We see ourselves as a musical platform where national and international musicians and music fans meet in a friendly, personal atmosphere. The quality of the music is our top priority. Our wide-ranging program alternates young artists with established musicians. We cultivate the tradition while also promoting new developments and keeping up with the Zeitgeist.
We treat all musicians with respect, welcome them on equal terms and support them as performing artists so they can fully concentrate on their music. We take their concerns and needs seriously./p>
Musicians interested in performing at the bird’s eye jazz club should first familiarize themselves with our program to get an idea of the range of styles at our concerts and the high quality of the music we promote. As we receive numerous applications every day and the large number of good bands and projects out there exceeds our capacity, we are unfortunately unable to respond to all inquiries personally. Normally we book our program about six to eight months in advance, but we also leave room for bookings at shorter notice. We generally recommend that interested musicians contact us with an inquiry as early as possible.
Please send the following info via email:
Thank you for your interest in performing at the bird’s eye jazz club.
We work with an analog 14 channel mixer for the live-sound. Our regular stereo PA with one subwoofer is enhanced by 12 small omnidirectional speakers throughout the room, which often can replace individual monitors for better sound in our small venue. However, we can provide a maximum of 4 stage monitors with individual mixes, if necessary.
Here is the current list of our equipment:
Item | Pcs | Brand | Type | Info |
Grand piano | 1 | Yamaha | Conservatory C 3 | 2 Yamahiko Pickups attached |
Double bass | 1 | Plywood | 3/4, adj. bridge, Evah Pirazzi strings | |
Drumset | 1 | Lauper | 18x14 Bass Drum | |
1 | Lauper | 16x14 Floor Tom | ||
1 | Lauper | 14x14 Floor Tom | ||
1 | Lauper | 12x8 Mounted Tom | ||
1 | Lauper | 14x6 Snare Drum | ||
1 | Hihat Stand | |||
3 | Camco, Yamaha, Jojo Mayer | Bassdrum Pedals | ||
4 | Cymbal Stands | |||
1 | Zildjian | 14” Hihat Set | ||
1 | 18” Crash | |||
2 | 20” 1 Dark Ride with sizzle holes & 1 Medium Ride | |||
2 | Drum thrones | |||
Keyboard Stands | 2 | height adjustable | ||
Guitar amps | 1 | Fender | Twin Reverb | |
1 | Fender | Blues Junior IV | ||
Bass amps | 1 | Gallien Krueger (Combo) | MB150 S | |
1 | Gallien Krueger (Combo) | 200MB | ||
1 | Phil Jones (Combo) | BG-300 | ||
1 | Ampeg | Portaflex 500 | ||
1 | Mark Bass | Little Mark Tube | ||
Passive speakers | 1 | Glockenklang | Space Art | 1x12" |
2 | Glockenklang | Acoustic Art Bassbox | 1x12" | |
1 | Markbass | Standard 104 HF | 4x10" | |
Active speakers | 1 | Yamaha | MS 60 S | |
1 | RCF | ART 312 | ||
Condensator microphones | 2 | DPA (B&K) | 4011 | |
2 | Schoeps | MK 4 | ||
1 | Schoeps | CCM 4 | ||
1 | Schoeps | CMC 41 | ||
1 | Schoeps | CMIT 5 | ||
1 | Schoeps | CCM 4V | ||
1 | Ehrlund | EHR-H | ||
1 | Ehrlund | EHR-T | ||
2 | Ehrlund | EHR-M | ||
1 | Ehrlund | EHR-E | ||
2 | Ehrlund | EHR-D | ||
2 | Ehrlund | EHR-M1 | ||
1 | Neumann | KMS 105 BK | ||
2 | Neumann | KM 184 | ||
2 | Neumann | TLM 103 | ||
1 | Shure | Beta 87A | ||
2 | Audio Technica | ATM 35 Pro | ||
Dynamic microphones | 1 | EV | RE 20 | |
1 | Sennheiser | MD421 | ||
1 | Sennheiser | MD441 | ||
1 | Beyerdynamic | M 88 (2023) | ||
2 | Beyerdynamic | M 201 (2023) | ||
4 | Shure | SM 58 | ||
3 | Shure | SM 57 | ||
1 | Ehrlund | EAP XLR | ||
DI-boxes | 1 | Grace Design | Felix | DI / Mic Pre with EQ, mix function |
1 | Atelier der Tonkunst | DI Box HR | ||
2 | BSS | AR-133 | ||
1 | Radial | JDI Stereo | ||
2 | Radial | SB-1 | ||
1 | Palmer | PAN-04 | ||
Mixer FOH (analog) | 1 | Yamaha | DM7. | |
PA speaker | 2 | Seeburg | A4 | |
Subwoofer | 1 | Seeburg | G Sub 1001 | |
12 | Bloomline | Omniwave | Omidirectional speakers | |
Monitor speakers | 4 | Seeburg | X4 | |
2 | Dynaudio | BM 6 | opt. Glockenklang Speaker, if unused |